PDF Ebook Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990 By Sonal Khullar
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Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990 By Sonal Khullar
PDF Ebook Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990 By Sonal Khullar
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- Sales Rank: #1307840 in Books
- Published on: 2015-05-02
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.00" w x 7.00" l, .0 pounds
- Binding: Hardcover
- 368 pages
From the Inside Flap
“Beautifully written, compellingly argued, Sonal Khullar’s book not only offers a major contribution to the study of Indian modernism, it also advances our methodological understanding of modern art at large. A vital addition to an exciting body of emerging art-historical scholarship that promises to fundamentally transform received ideas on modernism in the coming years.”—Iftikhar Dadi, Cornell University
“An important intervention in the history of artistic modernism in twentieth-century India. Khullar makes the critical move of connecting these artists with the larger ‘art worlds’ in which they stand—worlds constituted by the institutions of art education, art criticism, art collecting, art exhibitions, and the forming of new art publics.”—Tapati Guha-Thakurta, Centre for Studies in Social Sciences, Kolkata
“Sonal Khullar makes her debut with an original and provocative work on India’s role in twentieth-century global art. She forces us to rethink many of the issues one takes for granted, based on her fresh reading of four iconic figures: Amrita Sher-Gil, M.F. Husain, K.G. Subramanyan, and Bhupen Khakhar. Provocatively argued, this book is a must-read for art students, critics, and all those who are interested in modern Indian art, as well as all concerned with global modernism.”—Partha Mitter, University of Sussex
“A welcome offering in the emerging field of twentieth-century South Asian art; it presents a rich rethinking of Indian artists’ relation to modernity, postcoloniality, and the global art world. In addition to its important contribution to the discipline of art history, this work will speak to scholars in literary studies, gender and sexuality studies, history, anthropology, museum studies, and anyone with a wider concern with global, transnational histories.”—Rebecca M. Brown, Johns Hopkins University
"Khullar is a wonderful storyteller. In this original and persuasive study, she develops Edward Said’s term, “affiliations” to describe India’s modern and contemporary art as the unmaking and remaking of the dominant tropes of modernism, and the regimes of global capitalism to which Indian artists were exposed through British colonial rule, world travels, education, and the cosmopolitan culture of Indian cities. Art making becomes world making in Khullar's account as she promotes her historical method as a rigorously conceived dialectic of past and present, and explores in contemporary art the presence and persistence of mid-century modernism as a “ruin” of global histories."—Ajay J. Sinha, Mount Holyoke College, author of Imagining Architects: Creativity in the Religious Monuments of India
About the Author
Sonal Khullar is Assistant Professor of South Asian Art at the University of Washington, Seattle.
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